TANZPAKT application process begins on November 5 – Strengthening the dance scene and opening new perspectives through urban expertise on the jury
With the 2024 budget resolution, the Federal Government Commissioner for Culture and the Media allocated further funding for the continuation of the TANZPAKT Stadt-Land-Bund programme. The first round of applications closed on 22 September 2025. Now the funding programme will launch its fifth round of applications, thereby sending a clear signal regarding cultural policy: Dance is to be further strengthened as a socially impactful, excellent art form. From 5 November 2026 to 5 April 2027, artists, ensembles, production structures and networks can apply for funding from the Federal Government Commissioner for Culture and the Media totalling around €1.9 million. Read the press release.
Call for applications opens: 5 November 2026
Application deadline: 5 April 2027, 18:00
Earliest possible project start date: 1 July 2027
Project end date: 30 June 2030
Information about the deadlines. Further information on funding principles.
All information on the funding program TANZPAKT Stadt-Land-Bund: www.tanzpakt.de
Dance means diversity: millions of people dance, watch dance and experience the momentum, energy and emotional power of dance. Dance creates connections without language barriers. Dance fosters encounters and a sense of community across social and cultural boundaries.
Dance thrives on the diversity of styles and aesthetics. Dance is linked to the diversity of dancers – diversity in age, background, culture, social status, physicality, and also religious diversity. The dance scene shows that diversity in dance also fosters cohesion, and that we can be proud when we succeed in achieving cohesion through diversity.
To mark World Dance Day (29 April) and Cultural Diversity Day (21 May), we are showcasing diversity in dance!
More information about the "Aktionstag Zusammenhalt in Vielfalt 2026" (Solidarity in Diversity Action Day).
Thank you for your amazing submissions! Our online gallery is growing steadily, but due to the high volume of great entries, we are currently working through a small backlog. We’re adding your work step by step now, so feel free to check back often to see the latest updates.
World Dance Day on April 29 highlights the diversity of dance and its universal language.
This year's ambassador for World Dance Day is Canadian choreographer Crystal PITE:
Humans move - our arms reach out, our knees collapse, our heads nod, our chests cave in, our backs arch, we jump, we shrug, we clench our fists, we pick each other up and push each other away. This is language as much as it is action. This is what the body has to say about need, defeat, courage, despair, desire, joy, ambivalence, frustration, love. These images flash with meaning in the mind because we have felt these things so purely in the body - we have been moved.
We are dancers, all of us. Life moves us; life dances us. Ephemeral as breath, concrete as bone, a dance is made of us. We sculpt space. We write with our bodies in a wordless language that is deeply understood. We grace the space within and around us when we dance.
Like life, a dance creates and destroys itself in every moment. Like love, it is beyond reason.
I like to think of the body as a location; a place where being is held and shaped. When we dance, we are profoundly engaged in being there.
I’m writing this in early 2026, when there seems to be no end to the oppression, upheaval and suffering in our world. Daily, as we witness the horror of what humans are capable of doing to each other and the machinery of power that funds and fuels unspeakable violence to people and planet, dance feels like a facile, useless response. It’s hard to imagine what a dance artist can do in a world that so badly needs radical change and healing.
And yet - art, like hope, is a form of love. Defiantly generative in the face of desecration, art is a solvent for the calcifying mind and a balm to heal it. Art is a vessel to hold us while we grapple with questions - together - in a way that is different from news, different from documentary and education, different from opinion and social media, different from activism and protest, but not incompatible.
Through creativity, we accumulate resistance and hope through small acts of courage, curiosity, kindness and collaboration. In dance, and in dance-making, we find proof that humanity is more than our latest heartbreaking global failure.
But dance needs no justification, no explanation. It’s made of us yet owes us nothing. It only needs to inhabit a willing body. From that location, it can translate the ineffable; acting as an intermediary between us and the unknown.
We are moved by these vanishing traces of beauty in the present moment. And as we embody both the dance and its disappearance, we are reminded of our impermanence. At the same time, if we are paying attention, dance will give us an occasional glimpse of the soul.
Lesen Sie hier die Biografie von Crystal PITE
For more information about World Dance Day, visit the website www.international-dance-day.org
We, the Ethics Commission of the DTD, in cooperation with the GDBA and the companies of the theaters in Dortmund, Düsseldorf, and Essen, cordially invite you to the "Ethics in Stage Dance - First Constituent Congress," a space for exchange, participation, and shared responsibility for the future of our profession.
The event will take place on May 30, 2026, at the Ballettzentrum Westfalen Dortmund. The registration deadline for the congress is April 30, 2026.
To ensure that the congress truly reflects the perspectives of all dance professionals, we want to make sure that at least two dancer representatives from each company participate, as well as, ideally, ballet masters and ensemble directors. The dancer representatives should be appointed by the ensemble itself so that they can authentically represent the interests of their colleagues.
The Federal Association for Dance in Germany acts in the long term as a network partner for dance professionals, cultural practitioners, civil society actors, and policymakers. The fields of work include all issues related to the development of dance art and its visibility - from dance education, production and presentation of dance, dance research and dance science to documentation, public relations and presence of dance in the media. Furthermore, the DTD strives for a comprehensive participation of all citizens in the diversity of the art of dance.
New cross-sector project for Berlin in the fields of performing arts, visual arts, and film/media
Art, culture, and the creative scene are among Berlin’s key resources. Creative Cross Collaborations Berlin (CCCberlin) addresses three core sub-sectors of this cultural and creative landscape. The project aims to strengthen the potential of cross-sector encounters and interdisciplinary collaboration among artists, creatives, and producers based in Berlin, working in the fields of performing arts, visual arts, and film/media. Through events and advisory services, the project fosters cross-sector collaborations and develops long-term strategies for audience development and market expansion.

We at Dachverband Tanz Deutschland support the SHIELD & SHINE campaign – because we are also "DIE VIELEN" who stand up against racism, exclusion and right-wing extremism. We call on all our members, colleagues and friends in culture and politics to join the campaign and organise local protests, discussions and visibility.
Dachverband Tanz Deutschland acts as a long-term network partner for dance professionals, cultural practitioners, civil society actors, and politicians at the state, federal, and EU levels. In this context, Dachverband Tanz Deutschland carries out networking, advisory and mediation work for professional dance practitioners, associations and art and educational institutions. On the individual project pages you will find detailed information about the projects and individual events and workshops.